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Mp3 as instrument: notes on F1LTHY's approach to production
Technical and historical analysis. The artist is known for his collaborations with Playboi Carti, LUCKI, Bladee, and more.
On new pop music: reviewing tracks by Charli XCX and Camila Cabello/Playboi Carti
Supernormal stimuli in "B2b" and "I LUV IT."
Writing about music: "I went to heaven and it was the scariest thing in the world"
On work by DJ K, DBX, nondi_, Kevin Gates, and Michael Fried.
Jim The Office Face
Some notes on the camera-as-mirror and failed processes of identification.
New essay for &&&/The New Centre on the figure of the Bot
People are worried about how AI could lead to the automation of culture, but in certain respects, this automation has already taken place.
On the vibe-oriented practice of Taylor Swift, LDR, and Lorde producer Jack Antonoff
Considering the banal sublime, the producer-as-creative director, and pop music in the 2020s.
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Review of The Dare at Freakquencies, 11/10
Including thoughts on "indie sleaze," the figure of the "downtown scene," and other topics.
Severance Time
Severance Time
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Severance Time

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